Now everything must change. That kind of knowledge production has, in effect, been automated. As a result, the “scientistic” ...

Jeff Bark’s elaborately composed scenes channel sundered American fantasies. They also function as personal folklore.

In Dea Kulumbegashvili’s film, Ia Sukhitashvili plays a Georgian obstetrician who views a woman’s right to choose as an ...

From the daily newsletter: what happens when we can optimize pregnancy. Plus: Susan B. Glasser on Trump’s confused desires.

How U.S. military lawyers see Israel’s invasion of Gaza—and the public’s reaction to it—as a dress rehearsal for a potential ...

As the transatlantic alliance falters, a major exhibition of U.S. photography offers Europeans a dizzying array of ...

It makes sense that a man who yearns for a reality untroubled by other humans would be drawn to art that is untouched by anything human.

Paul Clement complained that Big Law was becoming “increasingly woke.” Now he’s defending one firm’s right to do just that.

Also: reviews of Broadway’s “Smash” and “John Proctor Is the Villain”; New York’s financial crisis of 1975 in “Drop Dead City ...

This documentary examines the economic changes and managerial missteps that brought the city to the brink of bankruptcy in ...

As Tesla’s profits drop, a group called Everyone Hates Elon is going viral for plastering London with fake advertisements for ...

Sarah Larson Larson is a podcast critic and staff writer.